Bob Hansen
Thomas Meluch (aka Benoît Pioulard) and Rafael Anton Irisarri (aka the Sight Below) released their eponymous debut LP as Orcas on April 24, a collection of beautifully hazy, ambient sound beds accompanied by Meluch's haunting vocals, inspired by America's Pacific Northwest.
The duo threw together some of their favorite tracks as part of an exclusive mix for Spinner/RPM (which you can stream after the jump), featuring everyone from Talk Talk and Talking Heads to Spacemen 3, Arthur Russell and Tim Hecker, and gave us a brief explanation of the songs they chose, their various inspirations, and shared musical tastes.
Why did you guys decide to work together?
Benoit Pioulard: Raf was the co-curator for
Seattle's annual Decibel Festival [an electronic and digital arts festival] when we first met. He booked me as Benoît Pioulard in 2009. It was a somewhat intimidating thing for me, since I'd so far only done one short tour, but following the show he and I kept in touch and began experimenting with guitar setups at his studio a few months later, which eventually led to adding vocals and aiming for more "proper" compositions -- even though there is still a major improvisatory influence on the outcome.
Rafael Anton Irisarri: Working with Tom was very harmonious, as we have very similar thoughts in regards to aesthetics. Tom is an amazing singer, songwriter, multi-instrumentalist and genuinely fun to hang out with. At the time we started working, Tom was living in Portland, Oregon. He would drive up to Seattle for a couple days at a time and we would spend time in my home studio, just working on different sound collages and ideas. Sometimes, by the time he was headed back home that week, we would have a few sketches finished. Tom wrote all the lyrics, sometimes on the fly, as we were going to track some vocal ideas. We split the instrument duties fairly equally. I think our collaborative efforts complemented each other's areas -- for instance, Tom would be playing on a glockenspiel with a bow, and I would sample that playing and manipulate the sound until it is completely unrecognizable as the original instrument. The same could be said about the voice, as I sampled lots of snippets of Tom's vocals and constructed percussive kits with it. We also had some contributions from a few other friends, which is always nice. For instance, [electronic/ambient artist] Loscil sent me a very nice drone he made and I sampled it on one of the songs.